Daaang. The scale on Tonci Zonjic's 035 is stupefying. That structure just looks absolutely immense, and the colour-scheme simply oozes danger and menace. It's almost possible to overlook the impending violence implied by those two drop ships in the lower foreground. Almost.
1 - A sci fi dropship speeds across a desert landscape (angled forward, helicopter-style, to give an impression of its speed). It is pursued by a number of missiles, fire bursting from their backs and propelling them forward.
NO COPY
2 - A missile hits the ship, a plume of explosion bursting out perpendicularly. I think it would look ace if this was in silhouette, with nothing else drawn beyond the ship and explosion.
NO COPY
3 - On the desert landscape. Impact craters where the ship skipped as it crashed litter the ground, leading to the ship itself in the background. The ship is possibly on fire; definitely smoking and in a mighty bad way.
NO COPY
4 - On the ship, but still pretty far back.
NO COPY
5 - On the ship, but moving closer.
NO COPY
6 - On the ship, but closer still. A hand reaches out from the wreckage, gripping part of the ship for support.
NO COPY
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